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The object of Grover was to join two distinctive typeface designs: the basic European gothic of the late nineteenth century and the ‘rounded’ style found in 1960s America.
The result is a clear, friendly face with subtle yet unforgettable features. Named after Grover Washington, Jr., the jazz saxophone player, Grover is geometrically constructed and yet very human in appearance.
Sans and slab serif variations, true italic weights, as well as small caps afford Grover versatility and unique display characteristics.